【澳门金莎娱乐网站】残山水——梁绍基个展

2019-12-21 22:57 来源:未知

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开幕时间:二〇一〇年3月二日 早晨4点 展览时间:2008年十月二十一日 -十二月14日展览地方:香格纳画廊东京(Tokyo卡塔尔(英语:State of Qatar)空间 草场所261号, 东京 电话: +86-10-6432 3202 开放时间:11am-6pm

《残山水》就诗性和禅意来说,是梁绍基自二零零六年个人展馆《云》之后的延展。残蚕禅, 三者为谐音。残为小说直观呈像,蚕为书法家独自通晓自然、生命、科学、历史,社会的艺术契入点,禅为精气神儿镜像。

澳门金莎娱乐网站,《残山水》器重单纯简洁,创设空,呈现自然现存品的特别利用。音乐家以表现蚕生命全经过的当然层层为背景,十余米丝卷如飞瀑涌流般从空间落下;碮河床挖掘出来淤于湿泥千世纪而变的黑如碳,硬如铁的奇拙的水沉木散置丝卷周边,观者不禁慨叹无边落木萧萧下,不尽刚果河滚滚来沉舟侧畔千帆过,病树前头万木春 好似2018年在法国巴黎开设的个人展览《云》近似,二零一三年的新作《残山水》也洋溢自然气息及哲思,其用丝箔蚕砂及古木碎片构成任何的风光景象,试图用力给大家提供一个静悟的程度。

梁绍基早年从事纤维艺术探讨及安顿,近八十余年从事装置艺术。与自然相互作用,以蚕生命全经过为资料,溶生物学与方式,雕塑与安装,编织,行为为紧密的本来层层是其代表作。同不正常间她以竹木为媒介,拓宽对本来、生命及社会课题的探究。正如美术大师本人所言小编感到艺术无非是人命的仪仗和信教,人对本来感知的释放。

梁绍基,1941年出生于新加坡,祖贯湖北永州。毕业于吉林美院,后研究进修于山东美院万曼壁挂研究所。现客居湖北金东莞,兼中夏族民共和国美院水墨画系第五做事室客座教师。他的小说在中原以至世界上各大图案机构被广大展出,包含:第13届浦那国际壁挂双年展,中黄炎子孙民共和国今世艺术大展,第49届威哈利法克斯双年展,第6届伊Stan布尔双年展,第5届塔尔萨双年展,第一届及第6届东京双年展等。首次个人展览馆云香格纳画廊H空间。

Opening: Saturday 15th of November at 16:00 Date: November 15 December 31, 2008 Venue: ShanghART Beijing, No. 261 Cao Chang Di, Old Airport Road, Beijing 100015, China Tel: +86 10 6432 3202

Broken Landscape Liang Shaoji at ShanghART Beijing

Broken Landscape is the extension and expansion of Liang Shaojis 2007 solo exhibition Cloud, a poetic expression of the Chinese state of mind. The artworks in Broken portray a fractured visual image that incorporates silkworm as a medium to reflect nature, life, science, history and society; and Zen as a mental framework. These three characters are pronounced similarly in Chinese and convey profound meaning.

Through working with elements of nature, the exhibition stresses purity and simplicity, creating a sense of emptiness. The artist uses a variety of natural materials to exhibit the life-cycle of silkworms. Surrounded by ancient wooden remnants and suspended in air, the silkworm installation (about 10 meters in length) is reminiscent of a traditional landscape drawing. The wooden forms, shaped over time by river currents, reflect the imagery of a sunken boat: a symbol of fleeting life, suffering, and generosity, all notions found in ancient Chinese poetry. By using natural elements and alluding to Chinese thoughts, Broken Landscape creates a poetic atmosphere, a virtual landscape of breeding silkworms and ancient wooden forms that provides visitors a space for quiet meditation.

Liangs early work consisted of serenely abstract hangings and installations made from textiles, often including bamboo. In his representative work, Natural Series, he created a series of installations and performances using live silkworms, combining biology with art, and integrating sculpture, installation, and weaving. The artist also uses bamboo to deepen the reflection on the subjects of nature, life and society. As Liang Shaoji states, I think art is all about the comity between societies, the faith in life, and the release which humans perceive from nature.

Liang Shaoji, a close observer of the contemporary art world and frequent participant at all possible Biennales around the world, was born in 1945. He graduated from Zhejiang Academy of Ars. He is now residing in Tiantai Mountain in rural Zhejiang province, and working as a guest professor at the China Academy of Art, Hangzhou. His works have been widely exhibited at national and international art institutions, including: Chinese Avant-garde Art Exhibition (National Art Museum of China, Beijing, China, 1989), The 48th International Art Exhibition Venice Biennale (Italy, 1999), The 6th International Istanbul Biennale (Turkey, 1999), The 5th Biennale dArt Contemporain de Lyon (France, 2000), The 3rd and The 6th Shanghai Biennale (China, 2000 and 2006), Cloud solo exhibition at ShanghART H-Space (China, 2007).

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